poetry

All posts tagged poetry

Ain’t so Real

Published August 3, 2020 by April Fox

(They tell us)

Real women have cuuuurrrrrrrvesssss

-Gotta draw that out real slow, let the word trace along the edge of the

Fat thighs, round hips, breasts like balloons every little boy

want to die in

Real women look after themselves,

legs like stilts that hold up the pedestal balanced there,

low flat belly, chest like a smooth wave in the ocean

sharp cheekbones cut like ice if you aren’t

Perfect(ly made; don’t tell me

that’s a real woman)

Anorexic overeater tell you hormones make the lady

but that facial hair they say to shave says otherwise,

now don’t it?

(They tell us)

Real women take care of their own, work hard, bring that money home and

ain’t no real women go away all day and leave her kids.

Real women stand up for themselves, don’t take no shit

get that dinner ready on the table when your man gets home

Keep him fed

Feed him good.

(They tell us)

Real women don’t belong HERE in this restroom

Real as the ache of not being seen,

real as the ache of being questioned every day, from the inside,

Who am I, and why am I here?

Real as the knowledge that power comes from the pocketbook

and that your breasts are weapons to be feared

even if

they haven’t started yet.

Real as the leaves in the hair, the rocks in the knees on a dark dirt road cause you need

a place to stay that night

and when you’re fifteen,

nothing feels like home.

Real as the blood on the sheets, the blood on the arms, the blood on your face

waking up in tears

remembering.

Real as the day long hours wondering why you weren’t made

like all the other

Real Women

with their fat flat asses and their sharp smooth hips and their

curves worn damp with time

erased

Real like knowledge

Real like the mirror, waiting to look back

And feel complete.

Feel.

Published October 29, 2018 by April Fox

This is what it feels like

(I don’t know)

to be kept out, sent to the back,

inked with numbers like cattle

(I bought my ink with dollar bills

you sold your soul to make)

This is what it feels like, one tenth of a percent

to send my child out, brown eyes

thick lips, pants sagged and face

inked like you don’t know

he never pulled the trigger

White as I am

you can’t tell,

arms scabbed and ribs shining

like blades in the street light

You can’t tell

I held that belly, sunken now

in the palm of my hand when he came home

small as life

You can’t tell

I wear my whiteness like armor

(you don’t know)

protect me when I walk at night, keep me in the car

when I get pulled

my brake lights shot like Walter Scott’s but I’m alright

It’s just a warning

        Careful now,

                don’t get hurt.

I know this

My breasts

        (no matter how small)

my ass is a beacon, shining out

spotlights on the fact that I am there

to be taken

that you can have the thing that I have never

until right now

given up one hundred percent voluntarily because I know

from the time I was 14 years old

that if you want it

you’re going to take it

anyway

This is how it feels

(I don’t know)

to be safe in the world

This is how it feels

(I don’t know)

to be safe

This is how it feels

(I know this, now)

to be helpless, to lie flat still frozen

in the dark to wait

for the things that gobbled up the blacks the Jews the

mouthy women the men crawling on the street with needles in their veins

the infants pulled to term and shit out on the sidewalk

screaming with addiction while the pro-life movement dangles formula and warmth

above their heads, the cost of daring to be born

to be sacrificed to hungry priests to be grown up

cut and bleeding

on the bathroom floor

This is what it feels like

(I don’t know)

to be quiet, watching, waiting

until they come for us.

Again.

Published October 17, 2018 by April Fox

In the middle of the night

he is lit from behind, the glow of the hall light

shining through his skin and I want to ask him

all the things that end in

Yes,

the things that someone else with

better words and softer, paler edges

could spin into the silk of romance and something like

forever but the night

is heavy with the weight of day and though I can see him

my eyes are closed and somehow I can only ask for the one thing

that’s immediate:

water.

When his shadow crosses mine again he brings me all the answers

in a paper cup

and holds it steady till I rise to drink.

Shot Gun.

Published October 13, 2018 by April Fox

This is where they’ll find you

tattered and sore

what did you think would happen when you opened

(your mouth

your eyes)

your legs?

This is where they’ll find you,

painted on smile, don’t open

your mouth

(your eyes

your legs)

he’s always been a good boy

I heard he had a perfect credit score.

This is where they’ll find you,

battered and whole

hands tied feet bare

silent asking

What did I think would happen

when I opened

(my mouth

my eyes)

my legs?

This is where they’ll find you,

mask on, hands off, clothes buttoned up

tight

What did they think would happen when you opened

(your mouth your eyes your legs

your mouth your eyes)

the chamber?

This is where they’ll find you

standing

on the mountain that they built

This is where they’ll find you

when they close their mouths

their eyes

This is where they’ll find you.

Pull the trigger.

Keyboard Revolution

Published October 12, 2018 by April Fox

In a month or so,

we’ll all line up

heel toe heel toe

bootstraps high and tight

against our shins so as not

to betray the fact that we are

privileged

to be here;

we will stack ourselves in tidy rows and parcel out

our tiny pencils

we will color in the circles

very

carefully

(This is the Big Test that they told us

we’d all need to take someday. If you mark outside the bubble

your answers are invalid.)

Is your name at the top? Good.

Did you get your sticker? Excellent.

Don’t forget the perfect pout, or if you’re closer to the left

a countenance of precious outrage

One click

Two seconds

Fifty-seven likes and there’s the proof

you played your part.

And on one side there are guns, on the other

protest songs and the signs can be distinguished by

precision of the grammar and you know which one’s on your side and I know

who sits on mine and if things don’t go the way we want I

Swear

To

God

I’ll start a triple hashtag revolution

Man my keyboard

is on fire.

2017: Depression Ate My Brain

Published December 30, 2017 by April Fox

In 2017, depression ate my brain.

I wish the years were neatly separate, distinct like they are on paper

segmented like an earthworm you can tear apart and watch the old parts writhe and bleed

while a new one generates —

starting over, over, over

hard reset, the days would have an expiration date

live through this, and then you get to start again

with vocal cords that work and a mind that doesn’t will itself

into oblivion, just for the hell of it.

Social media’s a hopeful place, full of photographs of bubbly glasses, gold leaf and fireworks:

“Here’s to a better year, next time!” A dumpster fire, they call it, as if the ticking of the clock will put it out and we will Come Together To Make Things Better! and Make 2018 Awesome! and start fresh, resolution-bound and hungover in the morning

Happy New Year

but it’s not, when depression eats your brain.

I spent my days in the company of children, and the ones who cared for them also cared for me. I tied the shoes and bandaged the scrapes and explained a hundred times that cottage cheese is cheese, but not the kind you slice. I sat criss-cross applesauce on the big rug and read stories written by other people’s brains, the brains that worked. Shoes on, coats on, water bottles, line up: The routines that shaped their days helped stitch together mine.

I stayed put together and the year went on and it ate away a little more each day, and when people say Reach Out I don’t think they understand that all the things you’ll say, we already understand.

I know I’m not alone. My stuff happened alongside your stuff and her stuff and their stuff and it devoured us from the outside while we were battling the inside. The world was burning down, our heroes were dying left and right and everything seemed darker than it should. In the dark, it’s hard to see the things you should create. We are not alone, but that doesn’t make the aloneness any less.

I lost my voice, and my muscles atrophied; there was no reaching out because I know: The solid marriage, loving family, stable friendships, roof overhead wheels underneath woodstove fired up warm quilt wrapped around babies thriving sunsets starry nights and all of those things are real but the list is punctuated with the knowledge, too, that it’s all there in spite of me and there is nothing relevant

living in my bones.

Depression eats your brain and you can’t sleep or you can’t

wake up or you can’t

eat or you can’t

shower or smile or think

or hold a conversation past the canned fake plastic words you spit out on Facebook so that nobody

suspects there’s something wrong (because there’s not; it’s just your bootstraps wearing out)

You can’t do much of anything but follow the same old script but you can sure as shit argue

with the idea that there is something valuable

in you.

I lost my voice and people didn’t think I could, they wanted me to make them laugh, to mock the president, to say something sweetly vulgar because saying FUCK is trendy now and hey, what’s behind this song and hey, tell me stories that the music men told you and I just

stopped.

The words were stagnant water in my mouth. Nothing new could live there, nothing would come out; I lost the words and then I lost the chance to say

I’m sorry

Depression ate my brain

in 2017.

Losing October 

Published November 15, 2017 by April Fox

In my nightmares there is metal everywhere. 

The little one is hungry,

two-dimensional

I’m not sure if he’s real or a

creation of my 

imagination and the wires

the image projected flat

onto the glass —

The eyes are still the same. 

When he was broken, once

I carried him and had him cast. 

I am waking up and

waking up and

waking up and

not. 

When I finally sleep, I’m cradling

all the tiny things

Trying to keep the other ones

from tearing out their spines. 

Altar

Published October 4, 2017 by April Fox

Let’s make a little altar here

from the things that we collected

while we walked.

Let’s make a little altar

from the broken sticks,

the colored leaves, the tiny

stones

that pressed between our palms

like everything.

Let’s make a little altar

from the love notes

and the bits of songs

the promises and tears

the handprints on the glass

in the back seat of the car.

Let’s make a little altar

with the shadowbox we made

from torn up paper, old receipts

the endless coffee cups,

the rain.

Let’s make a little altar

from the nursery rhymes and fairy tales

the hangovers and lazy days

the emptiness behind the

captive audience, the rapt and

awed, the onlookers, the fans

the stick figures, the empty heads

the arms that circled close, the

time

the blackness left behind.

Let’s make a little altar, but this time

let’s keep it out

where we can see it

keep the floodlights on

the spotlight keeping lit

all the things that we’ve collected

tucked away

and dusted off

on a holiday like nothing

Let’s make a little altar

from the darkness

left behind.

Periwinkle Blue at 42

Published March 28, 2017 by April Fox

This is the age when I’m supposed to embrace myself,

to wrap my loving arms around my ego and my thighs and to

denounce the false ideals forced upon me by plastic fashion dolls

and runway models

built like I used to be, flat-assed, long-legged, stick limbs and a marked lack

of cleavage, false women who I heard

could not be real

and I was safe in my

imaginary skin.

This is the age when I should have my shit together

when I should have more than a pair of second-hand combat boots

and three more years to pay

on a car with missing hubcaps.

This is the age when I should walk

with confidence

full of all the wisdom

that I had at seventeen

head held high

wine glass in one hand,

the other reaching up to touch

my recently-trimmed hair

–I should have a girl who cuts my hair

and know the name of a restaurant

that accepts reservations

and doesn’t bring the food out

in red fake-woven baskets.

This is the age when I should pass

from weirdo to eccentric

when my t-shirts should be hip and retro

and not artifacts of life.

This is the age when I should know

what the fuck I should be doing, when I should

sleep

when people sleep and

feel

what people feel and know

by now

how to nod and smile and talk about the right things

at the right time

and my fingernails should not be painted black

for daytime and the kindergartener

swinging her legs

on the plastic chair

is grateful, perhaps

that at 42

she remembers that the best crayon

is periwinkle blue.

Domestic(ate).

Published March 15, 2017 by April Fox

Don’t leave that there for me to find.

I’ll never see it, hiding among the dirty dishes and the piles of laundry

dumped out and waiting to be folded

(worn

dumped

washed

dried

dumped

repeat)

and the half-empty ketchup bottle on the counter with the coffee filters

the Pine-Sol stench and the blue toilet water

sensory overload

is the vacuum broken again? The birds need fed.

The mud tracked in might lead me to it,

by way of the checkbook and the appointment reminders

tacked on to the fridge

scribbled in sharpie under David Bowie’s deadpan face

each rectangle numbered

counting up

and starting over

counting down

self-contained and endless

Don’t leave it there

I’ll sweep it up unseen

with the safety pins and the breading from last night’s chicken

and toss it in the trash can

with all the other things

that were never relevant.

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